"Because it's the second greatest game ever invented, after baseball," I assert
when asked by friends unfamiliar with bridge what has prompted me to return to
the table three times a week for three hours a session after a forty-two-year
hiatus. "And with the advent of technology and bidding system modifications,
it's even better today," I might add.
"If that's true," retorted one recently, always eager to accentuate apparent
contradictions, "why did you leave in the first place?"
"There are two reasons," I replied. "First, back when I was twenty-eight, I was
very much a perfectionist, which is not an enviable trait for a serious bridge
player who presumes to know what he is doing. The notion that even a world
champion could make a mistake which under the scrutiny of a postmortem seemed
inexplicable was of little comfort to me when I was racking them up with
alarming frequency. One egregious miscalculation at a critical
moment during a tournament in Natural Bridge convinced me I needed a break,
although it lasted a lot longer than I anticipated.
"Second, the arc of my life was curving upward. The first of my three
children had just been born. I was taking on greater responsibilities in my family's
furniture business, which included a considerable amount of travel. And
I was testing a new avocation, soon to become an obsession: long-distance
running. Nowadays grandchildren time, while delightful, is purely optional; my
son has grasped the reins of company leadership with confidence and authority,
easing me gently towards retirement; and my road rage has succumbed to weak
knees. In other words, I've got many empty hours to fill -- or squander.
"As for expecting to play an error free round of bridge, just as maturity has
made me more tolerant of humanity's inherent flaws, so have I come to realize
that my ceiling of achievement in this humbling game is composed not of glass
but of rigid steel tiles and that I had best forgo the urge to conquer and
embrace it as a simple pastime."
Recent reports indicate that I'm in the demographic sweet spot for contemporary
bridge playing; the average age is seventy-one, a milestone I reached sixteen months
ago. But, as one might expect, as its population has grayed, so have the raw
numbers declined.
According to the Association of American Playing Card Manufacturers, in the
nineteen-forties the game could be found in forty-four percent of American
homes, a testament to its social component, intellectual engagement, and low cost
of entry (one deck, a table, and four chairs). Today that figure has shrunk to
ten percent, which equates to thirty million individuals, three million of whom
indulge at least once a week.
If you think that's still a lot, consider that in the U. S. Texas hold 'em
claims eighty million, many of whom engorge themselves daily in online gaming
and ESPN tournament broadcasts. While internationally bridge maintains a supremacy over
poker -- with an estimated two hundred million acolytes compared to one hundred
million -- both are far surpassed by chess, whose practitioners may number as
high as half a billion.
One wouldn't want to expose himself to accusations of snobbery, but in the words
of a Manhattan bridge club owner, as quoted by Edward McPherson in his 2007 book
The Backwash Squeeze and Other Improbable Feats: A Newcomer's Journey Into
the World of Bridge, "It takes thirty minutes to teach Texas hold 'em, and in an hour you can be
as good as fifty percent of the people playing the game. That would take years
of study in bridge." While the comment was intended as an endorsement of
bridge, it was followed by a suggestion to McPherson that he write "a book about
something people actually want to know about, like poker."
The essence of bridge was elegantly summarized by none other than tennis star
Maria Navratilova who in the foreword to a popular teaching guide wrote, "It's a
cerebral sport. Bridge teaches you logic, reasoning, quick thinking, patience,
concentration" and teamwork.
By combining cognitive training and socialization, it may also have health
benefits. A University of California, Berkeley, study in 2000 found that
exercising the area of the brain associated with bridge skills -- memory,
visualization, and sequencing -- stimulates the immune system. Researchers have
also discovered that a higher frequency of playing card and board games
correlates to increased brain volume in regions that are affected by Alzheimer's
disease.
Two of the smartest fellows in America are accomplished bridge players: Warren
Buffett and Bill Gates. In the early nineties they shared a partner, two-time world champion Sharon Osberg. Osberg said of Gates, "I've been teaching him. He's so smart. If he had more time, he'd be a very fine player." McPherson, p. 159)
Originating in London, whist dates back to the early sixteenth century but spread rapidly after 1742 when Edmund Hoyle published an eighty-six page pamphlet entitled "A Short Treatise on the Game of Whist, Containing the Laws of the Game, and Also Some Rules Whereby a Beginner May, with Due Attention to Them, Attain to the Playing It Well." (McPherson, p. 58)
Thus was born the phrase "according to Hoyle," but whist's greater gift to history came two decades later when loath to quit the card table to satisfy his hunger, the fourth Earl of Sandwich devised his celebrated handheld namesake. (McPherson, p. 60)
"At some point a variation of whist came along that exposed one hand during play. The dummy was not a new feature-- it had been used in whist to accommodate three-sided games -- but bridge made it permanent. The dealer had the right to name the trump suit (or lack thereof) though he could defer to his partner and he automatically played the hand." (McPherson, p. 61)
The origin of the name "bridge" is uncertain. It may have been brought back to England from Cairo by a British lord. Some attribute it to the Galata Bridge in Constantinople which British officers crossed to get to the coffeehouses where they played cards during the Crimean War (1853-56). Others say it derived from "biritch," a Russian version of whist. (McPherson, p. 61)
How the idea of an auction -- whereby each player announces in turn the trump suit and the number of tricks he intends to take until the other three pass (i.e., concede) -- entered the picture is unclear, but by 1908, London clubs had codified the rules for such a game. Now bridge was no longer solely dependent on card play; clever bidding became an important component. (McPherson, p. 62)
As auction bridge expanded its reach, players sought to improve their skills and were willing to pay for it. One early luminary was Milton Work, a Philadelphia lawyer who raised $100,000 for the American Red Cross during World War I by giving lectures on the game. He shuttered his practice to devote his time exclusively to his now more lucrative profession. In 1927, he played the first bridge match broadcast over the radio; hands were preprinted in newspapers so listeners could follow along at home. "A year later, Work's services were earning him an astronomical $250 an hour; he booked a week in May at a Broadway theater where he appeared five times a day." (McPherson, pp. 62-63)
On the evening of October 31, 1925, aboard the SS Finland, which was anchored outside the city of Balboa waiting to cross the Panama Canal, railroad heir, champion yachtsman, and card game enthusiast Harold Vanderbilt sat down with three friends and essentially invented modern contract bridge. Just as one takes for granted current marvels like flying behemoths and the smartphone, so do bridge players accept the intricacies of the game they love with hardly a nod at the intellect responsible for their gestation.
Requiring a partnership to earn extra points by bidding or contracting for the requisite number of game (nine, ten, or eleven, depending on the suit) or slam (eleven or twelve) tricks prior to play rather than awarding them for merely collecting the tricks did not originate with Vanderbilt. The concept had been incorporated in similar games developed in France and India. "Vanderbilt's contribution was more refinement than revolution." (McPherson, p. 63)
He implemented a methodology for scoring that that has not changed in one hundred years. Since slams were now more risky to attempt, he increased the bonus for bidding and making them. He introduced the double to punish partnerships who might make unreasonably high bids and the notion of vulnerability, whereby a partnership who had already made one game toward a rubber would benefit accordingly but be exposed to a greater penalty depending on whether its contract was fulfilled. (McPherson, p. 63)
Vanderbilt was a dashing figure with considerable clout among the elite social circles of Newport RI and New York City. His notoriety and connections were instrumental in the rapid spread of the game in the wake of his innovations. In later years he devised a universal system that included artificial bids, wrote several books on the subject, and served on committees that drafted U.S. and international rules.
As founder of the Vanderbilt Knockout Team Championship, which lives on today as part of the spring North American Bridge Championship, he donated the magnificent trophy that still bears his name and established an endowment to provide the winners with silver replicas in perpetuity. (McPherson, p. 96)
Contract bridge swept across the country, and some of the consequences were stranger than fiction.
On September 29, 1929, in their fashionable South Side apartment in Kansas City, Missouri, John and Myrtle Bennett were hosting their neighbors, the Hofmans, in a tenth-of-a-cent rubber bridge game when John bungled a four-spade contract and went down two tricks. When Myrtle called her husband a "bum bridge player," he reached across the table, grabbed her, and slapped her a few times. She broke free, fled the room, and, while he was throwing some clothes into a suitcase, reappeared with a revolver. John evaded two shots by locking himself in a bathroom, but as he was trying to escape through the front door of their apartment, Myrtle felled him with two more shots. She was charged with first-degree murder. (McPherson, pp. 52-53)
At her trial seventeen months later, defense attorney James Reed, a former Kansas City mayor and U.S. Senator, argued that the shooting was the result of a terrible accident. Myrtle had been fetching the gun for John, who carried it with him on trips, when it misfired: twice when she stumbled over a chair and twice (fatally) when he tried to grab it from her. Character witnesses described Myrtle as a faithful, devoted, and caregiving woman, John as a volatile and ill-tempered man who had previously struck his wife in public. The jury was convinced; after deliberating eight-and-a-half hours, it returned a verdict of "not guilty." (McPherson, pp. 53-54)
The incident did not diminish Myrtle's appetite for bridge, although she was hard-pressed to find a partner and frequently the victim of a tale which is surely apocryphal. "One day, a fellow ignorant of her past put down the dummy and apologized for his bid, saying, 'Partner, I'm afraid you'll want to shoot me when you see this hand.'" (McPherson, p. 54)
As the Depression deepened, the low-cost accessibility and social aspect of the game made it the people's choice for leisure. In 1931, the two top-selling books in the U.S. were both on bridge. One of them, The Blue Book, was by Ely Culbertson, the most colorful and flamboyant character ever to pick up a bridge hand. (McPherson, pp. 96, 98)
Born in Romania in 1891, the son of an American mining engineer and a woman of Russian nobility, Culbertson attended Yale, Cornell, the Sorbonne, and the University of Geneva, but was largely self-educated and fluent in seven languages. "During the first thirty years of his life -- as he bounced between Russia, America, Mexico, Havana, Spain, and Paris -- he would be an anarchist, labor agitator, hobo, revolutionary, womanizer, sailor, gambler, and brothel brawler." (McPherson, p. 97)
After his family fortune evaporated in the Russian Revolution, he eked out a living in Paris and New York City with his card playing savvy while snaring a glamorous wife and partner, Josephine Dillon, a renowned bridge instructor, whom he met at the private Knickerbocker Whist Club. (McPherson, p. 97)
"Culbertson was a born huckster and hustler, and he was full of "scientific" ideas -- some sound, other not -- that he wanted to bring to the game, particularly in the realm of bidding." Marketing himself and his wife as worldwide experts, he launched a diversified enterprise that included The Bridge World magazine, a best-selling textbook, a company to manufacture bridge supplies, a teachers' association that grew to six thousand members, and a series of international competitions. Among his many contributions to the science of the game were a proprietary method of hand evaluation, a menu of original conventions, and a scoring system for duplicate bridge. (McPherson, pp. 97-98)
By 1931, his magazine boasted thirty thousand readers and his Approach-Forcing System -- so named for its vague connotations of sex -- was the favorite of eighty-four percent of the world's twenty million bridge players. (McPherson, pp. 98-99)
The prevailing establishment, rankled by Culbertson's dominance, organized a Bridge Headquarters and promulgated its own Official System, thereby igniting a public feud. Culbertson challenged a representative, Sidney Lenz (and a partner of his choice), to a high-stakes match offering five-to-one odds. The event commenced on the evening of December 7, 1941 at the Hotel Chatham in New York City -- it was later moved to the Waldorf-Astoria -- where the National Broadcasting Company carried the opening ceremonies. The New York Times reported on each hand, while six Western Union telegraph operators stood on call twenty-four hours a day, cabling results across the Atlantic. (McPherson, pp. 99-100)
Four weeks later, after 879 deals and 150 rubbers, Ely and Josephine were declared the winners by 8,980 points. Their victory earned them a series of radio programs sponsored by Wrigley gum, $270,000 for appearing in six short films, and $10,000 for the royalties on miniature manuals inserted in Chesterfield cigarette packs. During the darkest Depression years, the Culbertsons' income topped $350,000. (McPherson, p. 101)
Ely needed every penny. He traveled to Italy to buy neckties, was known to spend five thousand dollars in an hour on new shirts, drove a Rolls-Royce and a Duesenberg, and owned five homes, including a forty-five room mansion in Ridgefield CT surrounded by cottages, lakes, and an enclosed swimming pool.
In 1936, as Culbertson was redirecting his energies toward international arms control, a rising star burst upon the scene with the publication of Winning Bridge Made Easy. Laughed at by his Montreal hostess for his ineptitude at the bridge table, the twenty-two-year-old law student vowed to prove her wrong -- which he did, in spades. Thirteen years later, elaborating on a system conceived by Milton Work, Charles Goren introduced the Ace-4, King-3, Queen-2, and Jack-1 point count evaluation model to an enthusiastic audience, and swiftly elevated himself to authoritative stature. (McPherson, p. 103)
His second bestseller, Contract Bridge Complete, released in 1942, solidified his reputation and entrenched his Standard American bidding system as the most accessible, effective, and poplar in the world where it remains today eighty years later. Goren became a bona fide celebrity. He wrote a syndicated newspaper column, appeared on the covers of Time and Sports Illustrated magazines, surfaced as a guest on "You Bet Your Life," and was the favorite partner of Dwight Eisenhower and Omar Sharif.
For some strange reason -- perhaps because he saw me as an impressionable Pygmalion whom he could sculpt to his own specifications and who was too intimidated to object to his barrage of unsolicited lectures -- Orion latched onto me as a favorite. His sprawling ranch house off Old Trents Ferry Road was regularly the site of the traveling team games we played over a season, where, comfortably ensconced in his basement, we enjoyed a striking view of his tennis court. Since he was a man of substantial girth -- and one of the first persons I ever knew to undergo a gastric bypass -- I often wondered whether he actually ran after the ball or simply ordered his opponent to hit it directly to him.
Just across the street from our hotel, the Renasant Convention Center consists of a 118,000 sq. ft. exhibit hall, two ballrooms, thirty meeting rooms, and the Cannon Center. I doubt all 300,000 sq. ft. of the complex is filled with bridge players, but it surely seems like it. The section stanchions run the gamut from A to Z; twenty-four tables per section equates to a total of 624 tables, which aligns with the announced number of tables for the tournament's duration: 6493. That's down about forty percent from the pre-covid days of duplicate bridge; the pandemic dealt a hand from which the game has not recovered.
For two decades, stretching from 1985 to 2004, Bob Hamman was the number one ranked bridge player in the world. He discovered the game while a student at UCLA, from which he failed to graduate after indulging in marathon play from eight in the morning to eleven at night. "He entered his first national tournament in 1959 at the age of twenty-one. Three years later he won a national event. In five years, he was competing for the United States in the world championship." He went on to win twelve world championships and fifty North American championships. (McPherson, p. 69)
As of 2017, Meckstroth had won nine world championships, sixty-one national championships, ACBL player of the year (for earning the most platinum points) three times, and the Barry Crane 500 (for earning the most master points) a record eleven times.


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